Sierra Burgess Is a Loser is an upcoming American teen comedy film directed by Ian Samuels from a screenplay by Lindsey Beer. The film is a modern retelling of the Cyrano de Bergerac story, and stars Shannon Purser, RJ Cyler, Noah Centineo and Kristine Froseth.
The film is scheduled to be released on September 7, 2018
A case of mistaken identity leads to an unexpected romance when a teenager joins a popular student to win the heart of his high school sweetheart.
Sierra Burgess Is a Loser (2018) online news
Initial release: September 7, 2018 (USA)
Director: Ian Samuels
Distributed by: Netflix
Producer: Thad Luckinbill
Music by: Leland, Sabrina Carpenter
‘Sierra Burgess is a loser’ It’s the Rom-Com positive element you’ve been waiting for, according to Star Shannon Purser
This has been a great year for the original Netflix romantic comedies. After the recent success of the adaptation of the young adult novel To All the Boys I’ve Loved Before, Netflix is presenting another YA rom-com with Sierra Burgess is a Loser. In this modern version of Cyrano de Bergerac, Stranger Things’ Shannon Purser plays the main character, who begins a romance through the text with her lover, who mistakenly thinks that she is Veronica, the most popular girl in the school. But what makes this version of classic history so special is the powerful way in which it handles the body image, having a large-sized protagonist who goes through a trip of self-acceptance that can be related.
This theme resonates strongly with Purser, who has used social networks as a platform to spread bodily positivity and has openly discussed his own struggles. “[The movie’s message of body positivity] is something that is very important to me because I do not think this movie was written for a plus size woman,” says Purser, speaking on the phone with Bustle. “It was written about a teenager who is struggling with body image, so I feel very grateful that they gave me this opportunity, because I feel it helped to shed light on body positivity and how it feels to grow up and have a different relationship body that the one, portrayed in pop culture, looks like this ideal. “
Part of what makes Sierra so identifiable is how, even though she has parents who support her and have taught her to build a self-confident personality, she still faces the social pressure of having to look a certain way. In an emotional scene, Sierra bursts into tears and tells her mother how challenging it is to be bigger and how it has caused her to feel insecure. “Do you have any idea what it is like to be a teenager and look like that? Of course not, because you are small!” Grita Sierra.
It’s a moment that will resonate with anyone who has had problems with body image, including Purser. “It was a very emotional scene because it’s very relevant to my life,” the actor recalls. “It’s how I felt a lot when I grew up, this idea that they will not love me or that I’m not good enough because of how I look.” So there was definitely something very intimate about playing that part and that particular scene. ”
Over the years, Purser says he has gone through a complicated journey of self-acceptance. “As my self-confidence grew and grew, I came to a point in my life when I realized that my body does not define me and that it is beautiful as it is,” he explains. . “But I am very grateful to be part of that movement, to help encourage young women to look at their bodies with more love.
In Sierra Burgess, on September 7, Sierra initially maintains the farce of pretending to be Verónica, thinking that her lover Jamey will never love her as she is, due to her appearance. But at the end (spoiler alert!), Jamey has completely fallen in love with Sierra as herself, not like Veronica.
The concept of changing who you are to get your happy ending is a predominant theme in so many classic rom-com teens, from Grease to She’s All That, but the message in Sierra Burgess is clear: a person who really loves you as you are will not require that you change superficially.
And for Purser, making Sierra stay true to who he is instead of changing for a child is part of what he most admires about the film.
“I love that there is not a big makeup scene, where in the end you have to ‘get warm’ or you have to lose weight to be attractive, because I think it’s crazy,” says the actor.
“I hope that all young people who look at it will cling to a relationship like that, where they will feel comfortable being who they are and in which they feel loved, accepted and loved as they are.”
Despite the fact that the movement of body positivity is constantly growing, there is still a great lack of large players in traditional comedies (Hairspray is the rare exception).
As such, the history of Sierra is truly remarkable, and Purser hopes that the character will instill confidence in those who resonate with their struggles. Says the actor: “I really just hope that young people who see this will find some faith in themselves and find the courage to be honest and to realize that the most significant relationships [come] from when you are being 100 cent for you same and when you learn to love yourself and accept yourself as you are. “
Sierra Burgess addresses women’s empowerment unlike any current youth rom-com, which shows that the
The soundtrack of Netflix’s next original movie, Sierra Burgess Is a Loser, is weeks away from release, but we are presenting the song list exclusively below.
Along with Bram Inscore, Leland – who has worked with Troye Sivan, Ariana Grande and Selena Gomez, among other front-line artists – scored the soundtrack, which will be the first release of the acclaimed singer / songwriter song Good Pop, in partnership with Sony / ATV and Black Label Media. The 14-song project features songs by Betty Who, Sabrina Carpenter, Allie X, MNEK and the star of the film, Shannon Purser, better known as Barb from Stranger Things. Sivan co-wrote three songs on the soundtrack: “Sunflower”, played by Purser, “Kid Wonder” (MNEK) and “The Other Side” (Betty Who).
Leland’s dishes about working with Troye Sivan, ‘Drag Race’ and his new break Bop ‘Run Into You’
Sierra Burgess Is a Loser is a modern twist on the work of Cyrano de Bergerac. Located in a high school, the story follows Sierra (Purser) as she falls into a case of mistaken identity and unexpected romance. She is working with the popular girl, played by Kristine Froseth, to capture the heart of her boyfriend (Noah Centineo).
“To all the guys I’ve loved before,” who debuted in the service on August 17, and “Sierra Burgess is a Loser,” which aired on Friday, are heavily influenced by Hughes, whose 80s films, including ” Sixteen Candles “,” The Breakfast Club “and” Ferris Bueller’s Day Off “, created a new type of movie for teenagers, which did not diminish its audience. And these new Netflix movies are not afraid to trumpet that influence intelligently.
“To all the kids I’ve loved before,” directed by Susan Johnson with a script adapted by Sofía Álvarez from a Jenny Han novel, begins with the presentation of the three fun and cheerful young women from the Covey house. Kitty, the youngest (Anna Cathcart), announces “I hate when dad makes Korean food,” and uses a funny vulgar simile taunting what her kitchen knows.
Dad is a widowed gynecologist played by John Corbett who apparently never inherited the culinary skills of the girls mother, who was of Asian descent. In any case, the older sister, Margot (Janel Parrish), will soon be going to college in Scotland. That leaves her middle sister, Lara Jean, our heroine, played by Lana Condor (from “X-Men: Apocalypse” and the next “Alita: Battle Angel”), to reflect on her relationship with Josh (Israel Broussard), the best friend of his childhood who became Margot’s boyfriend when adolescence began.
This question might be enough to feed an ordinary plot for a young adult movie, but wait, there’s more. Lara Jean’s secret stash of love letters not sent to Josh and four other lovers ends up being mysteriously sealed and sent to the recipients. Confrontations occur, one of which gives unexpected results.
The hot but nice athlete Peter Kavinsky (Noah Centineo), after listening to Lara Jean’s explanation that these letters were memories only for her delight and that her infatuation has already passed, sees an opportunity anyway. What if Lara Jean posed as his girlfriend to make Peter’s jealous ex jealous? And then a plan is born. We know it will not work the way children think it will be, but we also know that it will end in a way that everyone finds much more satisfying.
Condor and Centineo are charming, and their jokes are fun. As an older man without children, I do not immediately identify with such films. However, it is fascinating to observe how they process and represent adolescence. Semiotics is out of series, really.
There is a scene in which Peter and Lara Jean exchange favorite movies. Lara Jean’s is “Sixteen Candles”, while Peter’s is David Fincher’s black comedy, “Fight Club”. This gave me a break. Although I really appreciate the “Fight Club”, I do not trust intrinsically that a popular teenage athlete likes that movie for the right reasons.
Later, Lara Jean and Kitty watch “Sixteen Candles” with Peter, who says of his Asian character, Long Duk Dong, “Is not this character somewhat racist?” Lara Jean responds: “Extremely racist”, with the confidence that it is okay if it is not right. It’s a provocative moment; As Jenny Han herself wrote in a recent New York Times essay, she had to fight, when she launched her novel as a movie, to keep her heroine as Asian-American. The way Lara Jean seems to ignore racism in “Sixteen Candles” is not a way to excuse him; it is a way of walking forward from it. You have to admire the audacity of that.
Which is a piece with the movie as a whole. Apart from the real estate pornography that is shown here, the house of Lara Jean is cozy and spacious, but everyone else in this movie seems to have billionaires on the internet for parents, given the scenes of the party, the most prominent feature of the vision of the world of YA. It is an exceptional self-awareness. Not even John Hughes’ creations were so sharp.
“Sierra Burgess Is a Loser”, directed by Ian Samuels from a screenplay by Lindsey Beer, is more conventional in its approach. It’s one of those movies that makes you wonder if today’s high schools have different entrances at each end of the building, because whenever popular kids meet unpopular kids, they always shoot up approaching each other from directions opposite in the hallway.
The unpopular child is the main character, played by Shannon Purser of the Netflix series “Stranger Things.” She is sweet, intelligent (bright, actually) and loved by her sweet and inteligen.